Forget everything you know about symphonic concerts. Today, curator and composer Mathias Coppens transforms the Queen Elisabeth Hall into a living organism. Through three phases, we strip the musical experience to its essence: feeling, listening, and seeing anew. You will be enveloped by Gabrieli’s brass, overwhelmed by Anna Thorvaldsdottir’s power, and activated by Coppens’ world premiere. Electronic soundscapes and immersive lighting guide you toward a fresh perspective. With limited capacity, this intimate performance is not just a concert: it is a full-sensory encounter. Join us afterwards in the Atrium to share your experience.